Video, story angles, structure, shots
My notes from the second week.
I wrote down what lecturer told us and also some questions and tasks.
Assessment
Video package (2-3 minutes): My local covid
- GVs
- 3 different voices
- Voiceover – narration of story
- Expert interview
- Eye witness int
- Correct use of sound
- A variety of shots
- Use of a music bed/sound effects
Story angle
- The aspect of a story we decide to highlight
- Give focus to a story
- Packages can be presented using a particular angle or “slant”
Finding angles
- Read
- Look for new developments – surveys, stats, polls
- Use holiday and other on-diary events
- Look for sth new, topical, relevant
- Add human interest, how real ppl relate to developments
- React to a story in your field – add depth or insight relevant to a story
Types of angle
- National angle
- Local angle
- New development
- Follow-up story
- Human interest
- Progress
- Consequence
- Eminence or prominence
- Conflict
- Timing and proximity
2 different angles for the story: The second wave
- How many waves will we experience? How long is it going to last?
- Why people do not listen as they did before? Why do we tend to not follow the rules?
- Why is there a second wave? Explain reasons, schools, unis…
Story structure
- Flatline
- Common
- A series of quotes from ppl commenting on one topic
- He said. She said. Critics disagree
- Not very exciting
- Introduce an arc
- Add a question
- Promise and deliver and answer that is surprising in some way
- Sell your story hard so even those who don’t care…
- Divide in acts
- Give the listener a sense of movement by dividing the journey into scenes
- Use the rule of threes
- Signpost
- Don’t let audience get lost
- Tell why they should keep listening
- Break up big question into smaller steps
- Recap
- Raise new questions in the middle of the story
Make it special
- Add zig-zags
- Surprises
- Catchy writing, moments of interaction
- Provocative questions, personality, flavour
Beginning, middle, end
Sequences and shots
Series of shots – series of scenes – sequences – whole narrative
Shot sizes
- Extreme long shot (ELS)
- Long shot (LS)
- Full shot (FS)
- Medium long shot (MLS)
- Cowboy shot (CS)
- Mid shot (MS)
- Medium closeup (MCU)
- Closeup (CU)
- Extreme close up (ECU)
Camera angles
- Eye level
- Shoulder level
- Overhead shot
- High level
- Low level
- Ground level
- Hip level
- Knee level
- Dutch angle/tilt
Sound and music
- Record and use original sound
- Use if appropriate sound effects to enhance certain aspects of the scene
- Use music if
- It is integral to the story
- It enhances a character´s pow
- It evokes a place or time
- It´s in place of ambience
- Do not use music or sound if it is to manipulate emotions and thoughts, editorializes in making listeners sympathise w some views
- Don’t amplify emotions
- Cannot save a bad story
- Beware of abuse, consider copyright
180 rule – line of action
5 shot sequence
- Closeup of hands
- Closeup of the face
- Wide shot
- Over the shoulder
- Unusual/alternative
- interview